Note: There is currently no built-in feature for advanced sound control. Everything below is a set of prompting techniques, not a guaranteed instruction set. The engine treats tags as weighted signals rather than commands, so results vary between generations. Expect to generate a few versions of any track.
1. Introduction & Creative Workflow
Purpose
This guide is a practical reference for creators building custom lyrical or instrumental tracks in Songer. It covers tag use, song structure, genre configuration, and expressive control, everything you need to get more predictable, polished results from your prompts.
Core Principles
Structure first: Define genre and style, then language, then lyrics
Brevity matters: The genre and style field has a 1000-character limit (caps each entry at 50 characters then separate it with a comma "
,").Predictability over surprise: Small, clear entries yield more accurate results than long, complex instructions.
Front-load what matters: Earlier entries carry more weight than later ones.
Human energy: Every line or layer should serve motion, groove, or emotion
Typical Prompt Flow
Field | Purpose | Notes |
Genre/Style Field | Defines genre, rhythm, instrumentation, mood, vocal style, and accent in one line | 50 characters per entry, ≤ 1000 characters total |
Language | Vocal language | e.g., |
Vocalist Gender | Male, Female, Random (or leaving it blank) | Leaving it blank means no vocalist is assigned |
Lyrics | Full song text with | Prompt limits depend on your plan and the mode you're in: Songer Max:
Songer Pro:
Free and Pay-As-You-Go:
|
2. Universal Tag Index (Overview)
Tags are enclosed in square brackets [like this]. Group them by function for reliable results.
2.1 Structure Tags
Section | Tag | Description |
Intro |
| First section |
Verse |
| Main narrative sections |
Pre-Chorus |
|
|
Chorus |
| Repeated refrains |
Bridge |
| Contrast or tension |
Drop |
|
|
Build |
|
|
Outro |
| Fade or final section |
Instrumental break |
| No vocal passage |
Reprise |
|
|
Solo |
|
|
2.2 Vocal & Harmony Tags
Vocal Tags
[Duet Vocals], [Lead], [Response], [Harmonies], [Unison], [Soft Delivery],
[Intimate Delivery], [Minimal Vibrato], [Powerful Delivery], [Breathy],
[Whisper Tone], [Angelic Tone], [Raw, Imperfect Vocals], [Talk-Singing Vocals],
[Spoken-Style Vocals], [Spoken], [Rap], [High Pitch Vocals], [Low Pitch Vocals],
[Soulful Delivery], [Deep Vocals], [Soft High Register], [Falsetto Vocals],
[Bass Vocals], [Angelic Vocals], [Country Accent], [Norwegian Accent],
[French Accent], [US Southern Accent], [British Accent], [Breathy Vocals],
[Smooth Vocals], [Whisper Vocals], [Airy Vocal FX], [Layered Harmony FX],
[Choral Backing FX], [Double Tracking FX], [Vocal Reverb FX], [Live Vocal FX],
[Vocoder FX], [Pitch Shift FX], [Radio Voice FX], [Telephone FX],
[Breathy Echo FX], [Haunting Vocal FX]
Type | Tag | Description |
Duet |
| Alternating or combined phrasing |
Backing vocals |
| Adds depth |
Style |
| Special vocal style |
Accent |
| Vocal character |
Vocal Sound Design Tags
Category | Example Tags | Description |
Tone & Texture |
| Adjust the vocal delivery mood |
Character & Emotion |
| Control expressive tone |
Layering & Space |
| Create vocal width & ambience |
Processing & Filters |
| Apply stylistic vocal effects |
Performance Presence |
| Simulate live or studio settings |
2.3 Instrumentation Tags
[Acoustic Guitar], [Electric Guitar], [Bass Guitar], [Upright Bass], [Drums],
[Brush Drums], [808 Bass], [Synth Bass], [Piano], [Rhodes], [Wurlitzer],
[Strings], [Violin], [Cello], [Brass], [Trumpet], [Saxophone], [Trombone],
[Flute], [Harp], [Percussion], [Taiko Drums], [Shaker], [Conga], [Bongo],
[Steel Drums], [Synth Arps], [Pluck Synth], [Choir], [Pads], [Atmospheric Pads],
[Ambient Drones], [Soundscape FX]
Example
Family | Tag Examples | Notes |
Strings |
| Pads or melody |
Guitars |
| Style definition |
Keys |
| Harmonic base |
Rhythm |
| Groove control |
Brass / Wood |
| Jazz / Soul colors |
Electronic |
| Club energy |
2.4 FX & Ambience Tags
FX & Ambience
[Reverb FX], [Delay FX], [Echo FX], [Filter Sweep FX], [Sidechain FX],
[Riser FX], [Drop FX], [Vocal Chop FX], [Stutter FX], [Distortion FX],
[Chorus FX], [Flanger FX], [Phaser FX], [Analog Tape Warmth FX],
[Vintage Reverb FX], [Rain FX], [Wind FX], [Birdsong FX], [Thunder FX],
[Forest FX], [Water FX], [Ocean Waves FX], [Fire Crackle FX],
[Audience Applause FX], [Mic Feedback FX], [Crowd FX], [Live Room FX],
[Stage Ambience FX], [Crowd Cheer FX], [Concert Hall FX], [Hall Reverb FX],
[Plate Reverb FX], [Room Reverb FX], [Cathedral Reverb FX], [Reverb Tail FX],
[Stereo Delay FX], [Ping-Pong Delay FX], [Tape Delay FX], [Short Delay FX],
[Tremolo FX], [Vibrato FX], [Rotary Speaker FX], [Wah-Wah FX], [Distortion FX],
[Overdrive FX], [Fuzz FX], [Analog Warmth FX], [Tape Saturation FX],
[Guitar Amp FX], [Bass Drive FX], [Filter Sweep FX], [High-Pass Filter FX],
[Low-Pass Filter FX], [EQ Boost FX], [LFO FX], [Sidechain FX], [Resonance FX],
[Night Crickets FX], [City Ambience FX], [Street Rain FX], [Forest FX],
[Glitch FX], [Impact FX], [Sub Bass FX], [Bass Drop FX], [Pulse FX],
[Synth Arp FX]
FX Categories
Category | Example Tags | Purpose |
Spatial FX |
| Create depth and environment |
Texture FX |
| Add warmth, realism, vintage tone |
Environmental FX |
| Evoke mood or realism |
Modulation FX |
| Enhance movement and stereo width |
Distortion FX |
| Energy boost |
Vocal FX |
| Affect vocal delivery & presence |
Electronic FX |
| Add motion, EDM-style tension |
Creative FX |
| Used for transitions and breakdowns |
Live Crowd FX |
| Adds performance feel |
Sound Effects and Ambience: Three Places to Add
The same sound can be requested in three ways, and they do different jobs:
Where | Form | Scope |
Genres/Vibes |
| Whole track |
Section stack |
| That section |
Inline |
| The line it sits on |
Using two or three together is more reliable than any one alone. The field entry sets the overall atmosphere, the section tag confirms it where you want it, and the asterisk event places a specific hit.
Genres/Vibes:
modern country, acoustic pop, emotional, heartfelt, singer-songwriter, storytelling, 80 BPM, warm production, cinematic atmosphere, rain and thunder ambience
Lyrics:
[Intro | thunder and rain ambience | distant lightning strike | cold and atmospheric | building mood | 8 bars]
*thunder rumbling*
*rain falling*
[Verse 1 | Soft Delivery | Acoustic Guitar]
First verse goes here
Bracket tag or asterisk?
Both forms work. [Thunder FX] and *thunder rumbling* are asking for the same thing, and you can use whichever reads better to you, or both, as above.
The tag lists in this guide are illustrative, not exhaustive. Descriptive phrasing that isn't in the list often works fine: [Heartbeat FX], *glass shattering*, and distant lightning strike are all reasonable things to try, even though none of them appear in a table.
The disclaimer that matters: Because these aren't a fixed vocabulary, any given phrasing may or may not land. If one form does nothing, try the other before assuming the sound isn't available. If neither works, reinforcing it in Genres/Vibes as well is the next thing to try. Some sounds simply won't render, no matter how they're phrased.
Guidance
One or two events per track. Stacking sound events is the fastest way to make a track sound like a sound-effects reel.
Place them at structural moments. Intro, section transitions, and outro rather than mid-phrase.
Match the genre. These land well in rock, folk, country, and singer-songwriter, as well as anything meant to feel live or cinematic. They're least reliable in clean pop and EDM.
Don't fight yourself. Words like
clean,studio, orpristinein Genres/Vibes work directly against an ambience cue.Think atmosphere, not spot effect. The engine is better at "this track feels like a storm outside" than at a precisely timed crack of thunder on a specific beat.
2.5 Dynamics & Expression
Production (Dynamics & Arrangement)
[Crescendo], [Swells], [Staccato], [Legato], [Breakdown], [Build], [Drop],
[Reprise], [Layered Harmonies], [Full Orchestra], [Minimal Mix], [Fade In],
[Fade Out], [Dramatic Fade], [Quiet Interlude], [Epic Drums], [Main Theme],
[Climax], [Symphonic Arrangement], [Dark Atmosphere]
Tag | Meaning |
| Gradual build-up |
| Gentle fade |
| Short articulation |
| Smooth connection |
| Orchestral motion |
| Emotional entry/exit |
2.6 Combining Tags
Most sections need more than one tag: a section label, a vocal cue plus a texture. There are two ways to write that, and both work:
Pipe-stacked, one bracket
[Verse 1 | Male Vocal | Ethereal]
Consecutive brackets
[Verse 1][Male Vocal][Ethereal]
Consecutive brackets also work split across lines, which is easier to read on longer stacks:
[Verse 1] [Male Vocal] [Ethereal]
All three are read the same way. Pick whichever you find easier to scan and stay consistent within a song; mixing forms makes it harder to spot a typo later.
Ordering. Put the section label first, then vocals, then instrumentation, then FX and production. Earlier items in the stack carry more weight, so lead with whatever matters most for that section.
[Chorus | Powerful Delivery | Layered Harmonies | Hall Reverb FX]
[Bridge | Piano | Quiet Interlude | Diminuendo]
[Solo | Saxophone | Legato | Vintage Reverb FX]
[Verse 1 | Rap | Spoken-Style Vocals | 808 Bass | Short Delay FX]
[Drop | Bass Drop FX | Sidechain FX | Sub Bass FX | Lead Synth]
[Outro | Ambient Drones | Atmospheric Pads | Reverb Tail FX | Fade Out]
Four to six items are a good target. Longer stacks work; seven or eight is common on intros where you're describing atmosphere in detail, but items past that point carry progressively less weight, so put the ones you actually care about early.
Don't stack tags that fight each other. [Verse | Intimate Delivery | Powerful Delivery] gives the engine nothing usable; it will pick one or land somewhere in between. Same for [Chorus | Minimal Mix | Full Orchestra].
On vocal gender tags. [Male Vocal] and [Female Vocal] in a stack reinforce the section's delivery, but the Vocalist Gender selector is the authoritative control for the track. Use the tags to shape delivery within a section, not to override the setting.
3. Prompt Building & Best Practices
3.1 Prompt Syntax Example
Genre / Style Field: country waltz, 3/4, American vocals, acoustic
Lyrics:
[Verse 1]
…
[Chorus]
…
[Outro]
Genre / Style Field Rules
Rule | Description | Example |
Keep each entry ≤ 50 characters | Combine genre, tempo, accent, vocal type, and instrument focus |
|
Include vocal style + accent | Guides voice model choice and pronunciation |
|
Add rhythm/tempo info |
| |
Define the main instrument color |
| |
Avoid sentences |
| “This song should sound like a sad movie.” |
Avoid redundant adjectives |
| “beautiful, melodic, very emotional, lovely” |
3.2 Golden Rules
Time Signature: Include explicitly (
3/4,4/4,6/8).Tempo: Add target BPM (“90 BPM slow waltz”).
Instrument Hierarchy: Start with dominant instrument tags, then color layers.
Mood Words: Use 2–3 emotion words max (“melancholic, hopeful, dreamy”).
Genre / Style Field Formula
[Primary Genre], [Subgenre or Mood], [Accent + Vocal Type], [Instrumentation or Feel], [Tempo or Time Signature], [FX]
Component | Example Values |
Genre | pop, jazz, techno, gospel, country |
Subgenre / Mood | melodic, deep, fusion, soulful, cinematic |
Accent + Vocal | American vocals, British vocals, French vocals |
Instrument Focus | piano, trumpet-led, acoustic, synth-heavy |
Tempo / Signature | 90 BPM, 3/4, 4/4, 12/8 |
FX | audience applause |
Compliant Examples
Style | Prompt | Interpretation |
Country Waltz |
| American voice, 3/4 acoustic waltz |
Melodic Techno |
| British tone, cinematic melodic techno |
Jazz Ballad |
| Smooth French vocals, trumpet-led ballad |
Soul R&B |
| Warm African tone, soulful R&B |
Pop Dance |
| Bright American voice, dance pop |
Amapiano |
| Local tone with log drum groove |
Cinematic Ballad |
| Orchestral ballad with British vocals |
3.3 Steering away from something
Negation has to go inline as its own entry:
acoustic folk, no drums, no percussion, fingerpicked, 84 BPM
This works, but it's less reliable than a positive description. The music engine responds better to being given something to reach for than something to avoid. If drums keep appearing in a track that shouldn't have them, adding solo acoustic guitar and a single performer usually does more than adding another no drums.
4. Lyrics & Vocal Craft
4.1 Lyric Structure
Section | Function |
Verse | Story progression |
Chorus | Emotional anchor & hook |
Bridge | Change of perspective |
Outro | Closure or echo theme |
4.2 Crafting Lyrics
Keep lines short (6–10 words).
Use clear vowels for melody flow.
Repeat keywords sparingly for catchiness.
Avoid complex rhymes that break meter.
4.3 Duets & Harmonies
Genre/Style Field: Duet, harmonies
Prompt:
[Duet] I see the way you look at me
[Harmonies] Love is our secret song
Use explicit vocal tags per line for balance.
4.4 Formatting Inside Lyrics
Formatting | Effect |
| Sung as a backing vocal or call-and-response layer |
| Louder, more forceful delivery, one to three words per section |
| Slower, more hesitant delivery |
| Stretches the syllable across a longer note |
Blank line | Section break |
Contrast is what makes these work. If every line is in caps, nothing reads as emphatic.
5. Known Limitations
Being upfront about these saves time on iteration.
Backing vocals in instrumental and electronic tracks. In melodic techno and adjacent electronic genres, vocal texture sometimes bleeds into tracks generated as instrumentals. Adding no vocals and no instrumentation to Genres/Vibes reduces it, but doesn't reliably eliminate it.
Oohs and aahs in gospel and worship. Wordless vocal layers often appear in gospel and worship tracks, even when the lyrics don't call for them. This is characteristic of how the engine handles those genres, and there's currently no prompt that consistently removes it.
Extreme metal vocal control. Fine control over grunts, growls, and screams, as well as specific placement and intensity, is beyond what the engine currently offers. Genre and delivery tags will get you in the neighborhood, but not to a specific performance.
Next steps
Ready to try experimenting with custom lyrics or instrumentals? Check the next guides: